December 11, 2023

By Taylor Nicioli | CNN

Leonardo da Vinci was a painter, inventor and anatomist, to call just some of his skills — and now, you may add modern chemist to the polymath’s many items. It seems the grasp artist was extra experimental along with his famend “Mona Lisa” than beforehand thought — and was doubtless the creator of a way seen in works created a century later, a brand new examine suggests.

By utilizing X-ray diffraction and infrared spectroscopy, a staff of scientists in France and Britain has detected a uncommon mineral compound throughout the iconic piece. The discovering supplies contemporary perception into how the work from the early 1500s was painted, based on the examine just lately revealed within the Journal of the American Chemical Society.

Together with lead white pigment and oil, the compound — generally known as plumbonacrite — was discovered within the base layer of the paint. A examine revealed in 2019 had recognized the mineral in a number of 17th-century works by Rembrandt, however researchers had not come throughout it in works from the Italian Renaissance till the brand new evaluation.

The uncommon compound plumbonacrite was additionally present in “The Late Supper,” in addition to in a number of Seventeenth-century works by Rembrandt.(Pier Marco Tacca/Getty Photos) 

Plumbonacrite kinds when lead oxides mix with oil. Mixing these two substances on a palette is a way that later artists like Rembrandt used to assist the paint dry, based on the examine. Detecting the uncommon compound within the “Mona Lisa” urged that Leonardo might have been the unique precursor of this strategy, stated Gilles Wallez, an writer of the most recent examine and a professor at Sorbonne College in Paris who additionally was a coauthor on the 2019 report.

“Every part which comes from Leonardo could be very attention-grabbing, as a result of he was an artist, in fact, however he was additionally a chemist, a physicist — he had a lot of concepts, and he was an experimenter … trying to enhance the data of his time,” Wallez stated.

“Every time you uncover one thing on his processes, you found that he was clearly forward of his time,” he stated.

The “Mona Lisa,” like many different work from the sixteenth century, was created on a wooden panel that required a thick base layer, Wallez stated. The researchers consider that Leonardo had made his combination of lead oxide powder with linseed oil to supply the thick coat of paint wanted for the primary layer, whereas unknowingly creating the uncommon compound.

Analyzing the ‘Mona Lisa’